3/31/2023 0 Comments Zacc wild tribute![]() It would be to have those artists in a big venue, performing their favorite songs, and maybe getting one or two members of to be around.”īut all ancillary projects were secondary to making the album that served the music, Deaton says. Though there is no official word on a documentary, Deaton says, “there were six or seven cameras on every session that we did,” and Masuch brings up the idea of “maybe turning into a live event, if possible, at a certain point. Masuch says BMG’s position is to look at such projects in a comprehensive way. “Also, of course, Gram Parsons was a major player and influence,” he adds of his close friend, the pioneering country rock singer/songwriter who died in 1973.ĭeaton, who dubbed the album “a Nashville love letter to the Stones,” says many of the artists, like Church, have long histories with the music: “ said that when he was nobody and just playing guitar in front of 10 people, he got more tips when he played ‘Honky Tonk Women.’ The Stones have been so important to him for so long that it’s been an honor just to be able to say ‘thank you’ on this record.” ![]() There’s an authenticity about country that’s always appealed to me, whether it be Hank Williams, Merle Haggard or a Willie Nelson record,” Richards tells Billboard in a statement. “From the early days country music made a real impression on us. ![]() With the duo’s deep love of country music, it wasn’t a tough sell. I don’t think anybody would want to go as deep on something as we put towards the project without have the blessing and permission from Mick and Keith.” “I feel like we have such reverence for them and their songwriting,” he says. ![]() “Of course, we all have to make money and it’s important this will be successful, but I think what drove our discussion was more so the chemistry of the whole thing than having a calculator out the publishing royalties on songs.”ĭeaton adds that the next step, even though they didn’t need it, was getting Jagger and Richards to sign off on the project. “A music company should be committed to the cultural DNA it’s based on, not just always looking at things and saying, ‘How much can I make my money back?’ - because that’s a little bit too cynical,” he says. “’So, what do we do to extend the relevance of those songs in a couple of dimensions? Here’s an audience, a different genre and a different generation.’ I think that’s a core task of a publisher.”Įven so, Masuch says, the quality of the project was more of a defining factor than the dollars. The concept for the album was born over “three bottles of white wine at Angelini in Los Angeles,” says BMG CEO Hartwig Masuch, as his dining companion, producer Robert Deaton, put forth the concept. (It helped that BMG is also the publishing company for Rolling Stones’ main songwriters Mick Jagger and Keith Richards.)Īs publisher, “obviously one of your main mandates is to say, ‘Okay, here’s a great catalog of songs’ - and, we all know, there is already one great version,” Masuch says. ![]()
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